Concert grand. The absolute jewel in the crown designed for modern large-capacity concert halls and very big spaces.it has immense power and extraordinary harmonic richness, owing to the increased string length in the bass section. It is endowed with a fourth pedal invented by Fazioli. Located to the left of the three traditional pedals, it reduces the hammer-blow distance THUS reducing the volume without modifying the timbre, at the same time facilitating the performance of glissandos, pianissimos, rapid passages and legatos.
Concert grand. Exceptional power, magnificent balance between the bass and treble, extensive dynamic range and harmonic richness. A classic instrument for large concert halls and recording studios; suitable both for the solo repertoire and for performances with large orchestras. Dimensions: H100 cm/ W 157 cm/ L 278 cm
Semi-concert grand piano. Very similar to the concert grand (F278) in its action and dynamic features; a deep and powerful bass makes this piano excellent for medium-size concert halls. Only slightly smaller than a full concert grand, its tonal richness makes it an ideal instrument for chamber music. Dimensions: H100 cm/ W 155 cm/ L 228 cm
Considered across the world as the classic size for performing and teaching, this piano is also suitable for medium concert halls. The excellent balance between the bass and treble and the wide dynamic range make this instrument particularly well suited for the recording studio. Dimensions: H 98 cm/ W 153 cm/ L 212 cm
Baby grand. A mellow, rich and brilliant sound suited for the entire piano repertoire. With a fine balance between the bass and treble, this piano has a projecting tone, which exceeds its dimensions. Dimensions: H 98 cm/ W 152 cm/ L 183 cm
The smallest model of the FAZIOLI collection. Despite its small size, this piano has a remarkably powerful and clear sound. Suitable for smaller settings where the player does not wish to renounce to the sound and action of a high-quality grand piano. Dimensions: 156 cm x101 cm x 152 cm
Designed by Robert McKay and conceived for the spectacular location of Lloyd Bruce Home Collections in Coal Harbour, Vancouver, this exclusive piano is made of a precious tamo veneer. This finish, combined with the silver colour of the iron frame, logos, pedals and other metal parts, gives particular warmth, elegance and light to the project.
A 24-carat gold leaf completely covers this F228 piano model, giving it a touch of royal prestige. The transparent polyester that protects the gold leaf gives the surface a precious luminosity of iridescent shades.
This refined piano F228 model is fully realised in Macassar Ebony, a dark wood endowed with amber streaks that render the instrument particularly elegant and valuable
A polished olive veneer covers this FAZIOLI F183 baby grand, wrapping it up in warm streaks which lend relaxing, natural tones to the instrument.
Bing Thom Architects and Fazioli have created a custom instrument designed to reflect Westbank's latest architectural project in the heart of downtown Vancouver, The Butterfly. The architects sought to capture the same experiential qualities inherent in the design of this futuristic tower. The lightness of the legs and rails echoes the open garden breezeways, while its delicately sculpted geometry recalls the soft undulations of the tower�s skin, abstracted from the surrounding landscapes.
This one-of-a-kind piano was designed by Gregory Henriquez, architect for TELUS Garden, a lobby of the new TELUS headquarters located in the heart of downtown Vancouver, Canada. The architect drew inspiration from the design of the office building itself. Rather than opting for traditional black, Gregory Henriquez chose a natural wood finish, echoing the dramatic, sculptural glulam beams of the expansive plaza canopy. The legs supporting the piano mimic the distinctive V-shaped concrete structural supports that are an integral part of the tower's design. And in a nod to the high-tech features of TELUS Garden office, the inside panel of the lid is mirrored, providing viewers with a clear perspective of the piano�s inside.
Aria is all about the music, with a dual vocation: it decorates majestic, prestigious venues, being naturally suited to yachts, boats, palaces, hotels and concert halls. The original visual idea is inspired by a symbolic figure: a bird opening up its left wing, keeping its right wing close to its body, just before taking off in full flight. The sense of lightness in the flight is increased by the intense dark blue colour and the vivid silver of the aluminium.
This example of a specifically commissioned piano features an unusual red high gloss varnish with a hand-painted reproduction of a Canaletto painting which celebrates the ancient connection between Venice and China: the client's country.
Inlays of natural and coloured wood, mother-of-pearl and semi-precious stones can give birth to complex designs, beadings and arabesques. To embellish this F212, the chosen stone is Malachite, while the wood is walnut.
Commissioned by the owners of the Fairmont Pacific Rim Hotel in Vancouver, the Origami Fazioli piano was originally designed by a team of renowned architects (McFarlane / Green / Biggar). The white coloured instrument distinguishes itself thanks to the elaborate tri-dimensional incision, made of walnut wood, located on the internal side of the lid. When the piano was refurbished in 2019, the owners invited Origami Master Joseph Wu to contribute to the design.
Designed by NYT Line The music of shape and the design of sound are expressed in this M. Liminal model, designed by NYT Line and Philippe Gendre. Just as consonance and dissonance are organised in music, M. Liminal's shapes and colours are combined in asymmetric designs, simultaneously generating a composite and organic unit, as in nature. Inspired by the sea, the shape of the side evokes the profile of a wave while the black-silver colour recalls that of a dolphin. The red of the soundboard and black of the cast iron frame filter through the transparency of the Plexiglas music stand.
This precious F308 in red elm brier was designed by architect Ernest Collins upon his client's request, who wished to have a music room with a piano matching the Georgian style of his house. In fact, the medallions recall motives used by the great English cabinetmakers of the 18th century, as do the mother-of-pearl decorations, which give a touch of elegance and brightness to the special case.
Commissioned by a prestigious hotel in Vancouver, the Fazioli Fairmont piano was designed by a team of renowned architects (McFarlane / Green / Biggar). The white instrument stands out thanks to the elaborate three-dimensional walnut inlay inside its lid.
A special Black and White ebony essence, precious and rare wood from South-Eastern Asia and Laos, covers this F183 model, where tone gradations and shades leave space to knifelike streaks and intense colours, thus creating a pattern of sharp contrasts. This unusual finish can adapt to a modern design just as much as it can add value to the most elegant locations.
Since Alberni Street in Vancouver strives to create a new high-rise experience by introducing a soft and intimate idiom particular to Japanese space, the designer of this extraordinary grand piano thought of how the piano could evoke the same feelings. By layering sheets of hinoki wood - a spiritual material in Japan used for building temples - and by carving the piano in a similar manner as the tower, this instrument looks light, textured, and warm - its hallowed formations implying an almost geological, timeless character.
The inside of this instrument, including the soundboard, is entirely lacquered in black high-gloss polyester. The iron frame is finished in silver and all the metallic components are chrome-plated. These features combine to create an unusual F228 piano, conceived by the world-famous architect Norman Foster. This model has been named "Silver" because of the impact created by its silver iron frame.
The legs are not traditionally shaped, but rounded in a series of concentric rings with various diameters; the pedalboard recalls the shape of a lyre and the music desk is perforated in rich motifs: these elements remind us the image of a nineteenth-century piano. The choice of a beautiful walnut veneer further enhances this elegant instrument.
Petrof P173 Klassik Walnut Polished
PETROF P194 STORM KLASSIK-Ebony Polished
PETROF P III Ebony Polished
PETROF P IV Ebony Polished
PETROF PIV Chippendale
P 159 BORA The little big grand piano Its size is the only thing that makes the Bora a small instrument. As soon as the hammers hit the strings, you will discover its wonderful, rich and surprisingly powerful sound. Once again we have put the very best materials, technology and design features of concert instruments into its construction. Its potential greatly transcends its actual size. Professional players favour it for practice purposes and domestic use.
P 173 BREEZE. (Romantic spirit) The Breeze has gentle and romantic caress. Its effortless touch renders it all the more inspiring and personal. If you let it, it will reach into the innermost recesses of your soul. With its kind assistance you will dare to venture where previously you might have been afraid even to look. Its perfect proportions make it an enhancement to any stylish household or educational institution.
PETROF P194 STORM - Ebony Polished Arouses a storm of emotions The Storm is true to its name, being the piano with the greatest sound potential of the whole Standard Series. It imprints a deep emotional experience within the pianist, and in the hearts of the listeners, that often cannot be put into words. The uniqueness of the moment will strike you as soon as you hear the first sounds coming from this the largest piano in the Standard Series. Its versatility builds bridges across musical genres. It is popular with a demanding clientele and colleges of music, as well as for musical performances at smaller halls and functions.
ABOUT THE P 210 PASAT (Pride in every tone) PETROF�s best-selling grand piano and the darling of musical exhibitions - this is the masterly P210 Pasat grand. Its dimensions allow its sound to stand out even in the smallest spaces: chamber music salons, studios and in the home. Anywhere you choose it will conjure up the atmosphere of the most famous concert halls. The list of its successes fills us with parental pride. We shall feel honoured if you too fall in love with its romantic, clear and singing tone.
P237 MONSOON (The professional's dream come true) The Monsoon grand boasts a refined, balanced sound, which is best suited to large music halls and recording studios. It has a characteristic romantic tone, and allows musicians complete scope for the expression of their feelings with its faultless action and speed of response. This is an instrument built by the best and most experienced masters of their craft. It represents the optimal balance between size and performance and makes for an impressive addition to a prestigious hotel or any other formal space.
P 284 MISTRAL (Perfection without compromise) We present to you our masterpiece, the flagship of the PETROF brand - the Mistral concert grand. Measuring 2,840 mm in length it is our largest piano, and is beloved of musicians the world over chiefly for its tremendous bass and resonant treble. Artists find in it a trusty companion when performing the most demanding works; it also has a highly presentable appearance and possesses the soft, romantic tone so characteristic of all PETROF grand pianos.
Atelier Mitani, in cooperation with PETROF, has created a unique instrument that combines Japanese craftmanship and music, precision and piano construction from the Czech Republic. With the use of the traditional Japanese technique of maki-e, the piano is decorated with butterfly motives. One of these is the national butterfly of Japan called Japanese Emperor. When changing the incident light, butterflies look alive. The grass is represented by a cut of golden slices, along with the inserted mother-of-pearl pieces.
Wilh.Steinberg P152 This is the smallest of the Wilh. Steinberg series. Despite its dimensions, this piano has a notably powerful and mellow sound. Dimensions : 153 (D) 149 (W) 101(H)
Returning to the beauty and appeal of simplicity, the P165 is elegant in its minimalism, expressing an air of grandeur and significance that feels pure and natural. Color: Ebony high gloss, glossy white, Brown bubinga spherical patterned high gloss, Waterfall patterned bubinga high gloss, Medium red bubinga spherical patterned gloss.
With extraordinary quality comes the understanding and appreciation of each and every detail; this is the basic prerequisite for harmonic perfection. The 187 is not remarkable just because of the beauty of the sound it produces, but also because of the exceptional quality of the product.
Specifications : L (inches) | H x W x D (cm) : 6'2 "| 189 x 102 x 154 Weight (lbs | kg) : 796 | 361
Specifications : L (inches) | H x W x D (cm) : 7'| 213 x 102 x 154 Weight (lbs | kg) : 871 | 395
Schimmel Concert Series Traditional K230 Grand Piano Specifications : L (inches) | H x W x D (cm) : 7 '6 "| 230 x 102 x 154 Weight (lbs | kg) : 990 | 450
Schimmel Konzert Grand Piano K280 Accolades from competent sources are balm for the soul for our piano manufacturers. Specification H x W x D (cm) : 230 x 102 x 154 Weight (kg) : 550
C169 is in our opinion, the best piano available, of its size. The 169 is the smallest member of the Konzert range yet its action is taken directly from the 7 foot 213 grand as well as most of its scaling, creating a beautifully balanced sounding piano. The sound produced by this instrument is typical of the Konzert series with a great range of dynamics, superb sustain, beautiful clarity and a large palette of tone colors.
Classic C182 ART NOUVO Decorative curves, surfaces decorated with floral ornaments and abandonment of symmetry: these are the elements of Art Nouveau, also termed in German as Jugendstil, a new artistic style which transformed everyday articles into artistic objects. The intention was to incorporate art into everyday life. Here it was the decorative arts which came into their own. This approach was also appreciated by the piano craftsmen at Schimmel - and prompted the development of this grand piano model.
K189 NWS is a beautiful instrument of the highest quality. At 6ft 3?, it is perfect for both domestic and concert hall settings and is an exceptionally balanced sounding piano. The sound produced by the Schimmel K189 is typical of the Konzert series with a great range of dynamics, superb sustain, beautiful clarity and a large palette of tone colors
Schimmel Concert K195 is one of the most versatile pianos in the Schimmel Konzert lineup. Perfect for teaching studios, smaller church sanctuaries, and ideal for most living rooms, the Model K195 has the benefit of the concert grand action that all the Konzert Series share.
K213 NWS is a beautiful instrument of the highest quality. At 7ft 1?, it is perfect for both domestic and concert hall settings and is an exceptionally balanced sounding piano. The sound produced by the Schimmel K213 is typical of the Konzert series with a great range of dynamics, superb sustain, beautiful clarity and a large palette of tone colors
With this model W206 Tradition, WIlhlem Schimmel has produced a grand piano which is capable of doing justice to the major works of the piano repertoire.
Simple elegance and traditional piano manufacturing meet in our small Wilhelm Schimmel grand piano. A wonderful symbiosis which allows a musical experience for all the senses. Something you can see and hear.
The extraordinarily futuristic yet laconic design breaks all the molds of the traditional grand piano design and re-imagines it as a blazing chariot of which the pianist is a Pegasus taking us, the spectators along for the ride of our lifetime.
The grand piano for the music room. This grand piano is small and compact, yet rich in sound, with surprising volume. Due to the length of its bass strings, this small SAUTER grand piano carries conviction with its ample sound and rich fundamental tone. This instrument is a real highlight in its class.
Clean and simple. In a single, sweeping line, the 230-centimeter-long body follows the outline of a parabolic curve. The new shape is highlighted by a chrome outline. This new frame line is contrasted from the main body with some chrome elements, which are displayed again at the lower end of the legs. The cheeks at the side of the keyboard merge gently into the slanting front of the grand piano. The closed lid melds into this form beautifully.
The full-size concert grand: A new dimension of sound. This full-size concert grand has been developed specifically for professional pianists and concert halls. It stands above other instruments in its power, ability to carry the stage and rich sonority. Its sweepingly fiery bass and sparkling treble inspire with their transparency and freshness, without becoming cold or lost in the crowd.
The smaller concert grand with additional register demarcation. This concert grand can be described as dynamic and powerful, yet sensitive and charming. The sound board, which is made of the finest mountain spruce, provides for rich variations in tone. Thanks to its light and graceful touch, the Omega delivers sensitive expression. Voiced by expert hands, specially selected hammer heads are full of vitality and allow for the finest shades in tone and brilliant sound colors.
The Vivace is a contemporary interpretation of the grand piano that still respects its classic shape. The streamlined and newly accentuated lines and the steel legs give this traditional instrument a breezy airiness. The designer's signature and edition numbering underline the particular value of this grand piano.
SCHOBRUNN XG-152
