No matter how detailed and intricate the design, true mastery is evident when manifested by the sound it presents. Color: Ebony high gloss
A minimalistic design combined with superbly selected materials help to achieve outstanding quality, perfect musical sound, and superlative tactile feel. Color: Ebony high gloss, Medium red bubinga spherical patterned gloss
It takes more than exceptional craftsmanship, superlative materials and design to create a masterpiece. An unrelenting devotion towards the development of a full bodied and rich sound is equally paramount. Color: Ebony high gloss
We developed the P122 H1 in answer to customer requests. With the design of its cabinet, and especially its distinctive keybed, it proudly harks back to the roots of the piano-maker's art in Europe. While at first sight the cabinet appears minimalistic, it boasts some precisely elaborate and detailed features. The final shape of the instrument was the inspiration of specialists at our Technological centre, and we are sure that this piano will find many happy customers.
P 118 C1 CHIPPENDALE In building this instrument we devote special attention to the wood carving. Its precise design makes the P 118 C1 upright a work of art in the style of Chippendale. The piano goes with any matching interior , where it will draw attention with its perfect construction and its characteristic singing tone, which will stir the hearts of every pianist and his audience.
P 118 R1 ROCOCO As its name suggests, the P 118 R1 upright is built by our piano-making craftsmen in the Rococo style. This ensures it a place in interiors and halls of the same originally French style. The Rococo model is most remarkable for being white with patinaed features, making it as decorative as its rich, soft and romantic tone - typical of all PETROF instruments.
P 125 G1 The design cabinet of the G1 adds a number of elegant decorative elements to the classical appearance of the P125. This means it not only sounds good, but looks splendid too. Its qualities shine in a whole range of musical ensembles, schools, and places of entertainment, as well as in the foyers of theatres and concert halls, where its characteristic romantic sound gives pleasure to pianists and audiences alike.
P 131 M1 (Rigorous design, open heart) Because of the power and colour of its tone, we also place the P 131 M1 among the concert instruments of the Highest Series. This piano places no limits on the musicians� art, creating generous space for their self-fulfilment. This piano is remarkable for the modern, simplified design of its cabinet, making it an ideal addition to many music schools and larger interiors.
P 135 K1 (The exceptional heritage of our ancestors) Meet the tallest upright of the PETROF brand, which boasts the greatest sound potential. Its size makes it ideal for discerning professional pianists and audiences. This is an instrument of masterly construction intended for music schools, home interiors, and for the performance of musical works with orchestra. Its uniqueness is enhanced by the unusual design of the music stand, but lies most of all in its powerful, open and colourful tone.
Nuanced tonal expressivity and touch. The large sound board with the "SAUTER spherical concavity" sounds the highest frequencies and overtones; the classic body reflects the sonorous bass notes excellentlyfor a true aural experience.
an absolutely robust, wear-free construction that facilitates the touch of a grand piano. Additionally, SAUTER pianos in this series possess a finer string scale, leading to a more balanced radiation of sound from treble to bass.
The sound for the most discerning ear. In technical terms, the uprights in the Master Class line are among the very best pianos built. They are ideal for playing demanding pieces and achieving concert-quality sound. Unique is the sostenuto pedal, which is usually only found on grand pianos. This is how these SAUTER uprights achieve the tone of a grand piano.
A promise of sound in classic design. The Ragazza 122 has a sound board up to 25% larger than that of the starter model. Because of the unique "SAUTER spherical concavity" the sound is more voluminous and radiates liveliness.
Accento The goal was to find an archetypal form for a noble piano. The result: an instrument whose clean contour is evocative of the reduced form of a bridge.
Less is more. Purism is the art of avoiding excess. The design radiates a quiet that gives the soul and player wings.
Accento The goal was to find an archetypal form for a noble piano. The result: an instrument whose clean contour is evocative of the reduced form of a bridge
The finest engineering with excellent sound, expression and outstanding sustainability of ton.
Reduction to the essential was the clearly defined goal of this design. There are no embellishments or unnecessary lines to be found on this piano. The instrument is characterized by the clarity and beauty of an archetypal form. Straight lines, cubist, timeless: Concent.
The Pure Basic reflects the space it was made for. It is a piano suitable for a modern living environment with sleek walls and contemporary art. The essence of its esthetic is its spacious design that emphasizes two-dimensionality.
Rondo The elegance of gentle curves. An upright that plays with the design principle of curves. Its appearance is natural, soft and at ease. Like a composition circling a central motif.
Artes Homage to the rhythm of the Modern period. Rachmaninoff and the glow of the skyline . . . An elegant allusion to the Art Deco period. Cool, black and lustrous. Distinguished and timeless. Like the beauty of music.
The new transparency. The Vitrea's vitality derives from the contrast between its cool glass front panel and the warm wood tones of the body panels that surround the glass. The Vitrea is particularly suited for light-flooded rooms with large glass surfaces, beautiful wood flooring and contemporary furnishings. The essence of its esthetic is the sharp contrast between light and dark that gives structure to the design.
What happens when the principle of the golden section is transferred to a piano? It produces well-proportioned models such as the C 126 Tradition. In art and architecture, the golden section is frequently considered as the ideal proportions between certain combinations of lengths and is also viewed as being the epitome of aesthetics and harmony. Seen from this aspect, this model certainly fulfills all criteria.
This is why the combination of first-class sound and corresponding design is so vital. The unostentatiously elegant C 130 Tradition is one of the great pianos of its type and an instrument of excellence in itself. Touch and tone are harmonised perfectly from the powerful bass notes up to the sparkling treble register. We also deliver the black polished version with an oval panel inlay � a small but effective stylistic element.
Patience is the mother of quality. Sometimes, 300 years of patience are necessary. This is the age of some of our mountain spruce wood which is utilized for the manufacture of the soundboards.
This piano is a bit like an opera singer: handsome, self confident and capable of exceptional sound projection. This is not only guaranteed by the height of 123 centimeters but also by the special Schimmel construction of the acoustic body and action.
Wilhem W118 beautifully balanced sound from this mid-size upright piano.
Wilhelm Schimmel W123 is the largest model in the Wilhelm Schimmel range and has an impressive bass, with balanced tone throughout.